Category: Unit 1

Journal Articles:

Akçay, A.Ö. and Alothman, H. (2018) ‘Fashion inspired by architecture: The interrela- tionship between Mashrabiya and Fashion World’, Journal of History Culture and Art Research, 7(2), pp.328-351.

Farahat, B.I. (2014) ‘The interrelationship between fashion and architecture’, Al-Azhar University Engineering Journal, 9(6), pp.1-17.

Kotb, R.M. (2014) ‘ Art Deco architectures as inspiration source in fashion design’. International journal of Science Commerce and Humanities, 2(3), pp.1-17.

Melewar, T.C., Bassett, K. and Simões, C. (2006) ‘The role of communication and visual identity in modern organisations’, Corporate Communications: An International Journal, 11(2), pp.138-147.

Tavşan, F. and Sönmez, E. (2013) ‘Interaction of Fashion and Interior Design Styles in Interior Architecture Education; Workshop Study’, Procedia-Social and Behavioral Sciences, 89, pp.687-691.

Van den Bosch, A.L., De Jong, M.D. and Elving, W.J. (2005) ‘How corporate visual identity supports reputation’, Corporate Communications: An International Journal, 10(2), pp.108-116.

Websites:

Designing Buildings (2022) Building design process. Available at: https://www.design- ingbuildings.co.uk/wiki/Building_design_process (Accessed: 2 December 2022).

Molo Design. (2022) paper softwall / folding wall partition. Available at: https://molode- sign.com/collections/space-partitions/paper-softwall-folding-wall/ (Accessed: 2 December 2022).

Riba. (2020). Riba Small Project Plan of Work. Available at: https://www.architec- ture.com/knowledge-and-resources/resources-landing-page/supporting-docu- ments-for-the-small-projects-handbook (Accessed 2 December 2022).

Skyes, (2000). Chalayan Fall 2000 Ready-to-Wear. Available at: https://www.vogue. com/fashion-shows/fall-2000-ready-to-wear/chalayan#review (Accessed 2 December 2022).

My initial thought to the William Kentridge exhibition at The Royal Academy of Art’s was that it provided little inspiration towards my own work due to the vast differences I initially felt. As I continued throughout the exhibition however, I began to fee truly immersed into the story telling, and I ultimately discovered pieces of Kentridge’s work which I felt like I could relate to.

In a stark contrast to the abstract work, in which he portrays within his early drawings, I was drawn towards the gallery showcasing artworks inspired by flowers. I was drawn in because to their alarming size, realism, and intricate detail. Personally, I am a huge advocate for greenery and flowers within interiors because of the life they bring to the space. Asides from this, I was amazed by the sheer scale of these artworks. Having previously studied fine art, and experimented with ink on paper, I couldn’t comprehend working on such a scale with this medium. 

I particularly liked the layout of space in Gallery 7 and how these large artworks were displayed. Although the room is very large, I didn’t feel small within it, and being able to go up close to these amazing drawings was incredible. This ultimately will help to inform how I would design spaces with large scale objects in the future. 

(William Kentridge, 2022)

References

William Kentridge (2022) William Kentridge [Exhibition]. Royal Academy of Arts, London. September 24, 2022 – December 11, 2022.

BAUX Acoustic Pulp is a revolutionary material which provides sound absorption whilst being produced using completely natural materials. The material also has other benefits such as using no chemicals within production, is lightweight and water repellent (BAUX, 2022). This material can relate to my own work because of the unique textures in which the material comes in. I would describe this texture as looking like origami, which has been the grounding inspiration point behind my projects this semester.

Following on from a material that aesthetically looks like origami but doesn’t involve the method of paper folding, image two looks towards Parametric Houses’ kinetic origami table. What I find so interesting about this method of construction is the ability to unfold and refold the material, which allows the object to be modular and move around the space as desired.

Molo Designs create beautiful modular furniture with a heavyweight card which can evolve to the users ever changing needs and desires. This concept to me is particularly strong and is something I want to explore within my own work, using the silhouettes from fashion as my inspiration point. I find the movement which furniture designs provide so interesting, and the unique aesthetic of this works so well alongside origami.

Another construction method which I find intriguing is using origami as a silhouette. However, what makes this precedent study different from the rest is that it no longer is modular. The designer behind this furniture, Aljoud Lootah, has used the aesthetic of origami, but constructed the product to be permanent, which is also an interesting concept to explore within my work.

References

Baux (2022) Baux Pulp Panels. Available at: https://www.baux.com/acoustic-products/pulp/panels/?gclid=CjwKCAiAoL6eBhA3EiwAXDom5rD_nHKzbwnC3FDPKRL2Hsv2ngpIAI4OLiKRbiJSZicXSeO6YiLo4xoCuOgQAvD_BwE (Accessed: 19 November 2022).

Image 1 – Morris, A. (2019) Baux launches biodegradable acoustic panels made from plant-based material. Available at: https://www.dezeen.com/2019/02/09/baux-acoustic-pulp-panel-biodegradabale-design/ (Accessed: 19 November 2022).

Image 2 – Naik, M. (2022) Origami Kinetic Table. Available at: https://parametrichouse.com/origami-kinetic-table/ (Accessed: 19 November 2022).

Image 3 – Molo Design. (2022) softseating | folding paper stool + bench + table. Available at: https://molodesign.com/collections/furniture/softseating-folding-paper-stool-bench-paper-furniture/ (Accessed: 19 November 2022).

Image 4 – Connellan, S. (2015) These Origami-Like Shapes are Almost Unrecognisable as Furniture. Available at: https://concreteplayground.com/auckland/design-style/design/these-origami-like-shapes-are-almost-unrecognisable-as-furniture (Accessed: 19 November 2022).

References

Keeble, G. (2022). Sir John Soane Palimpsest [Photograph].

The former home of Sir John Soane, now turned museum, is a beautiful atmospheric space which houses a vast collection of objects collected by Soane throughout his life. One of the reasons I found this space so intriguing and inviting is its unique layout over three townhouses, connected by seemingly hidden passageways which present the abundance of objects within the collection.

When I walked into the museum, the atmosphere feels as though I had walked into a large time capsule, which was articulated through his paintings, books, and varied artefacts. Each room highlights the vast collection perfectly, through many strategically placed windows in both the ceilings and walls. This was a particularly important element for me to investigate whilst within the space, because the project brief at hand this week is designing a window of contemplation space.

This unique museum showed me many possibilities in how I could display a collection, which will help to inform the creation and design of my spaces within my coursework. It evoked a question of whether my collections should be placed uniformly and together, as I think placing the items sporadically is very striking too and worked very well within the Sir John Soane Museum.

References

Image 1 – 6 – Keeble, G. (2022). Sir John Soane Museum [Photograph].

This space by Simo Design (2019), within the house titled ‘Palermo’, truly encapsulates what contemplation means to me, and to my client. It explores the idea of a relaxing space to read and think, whilst keeping a calming and natural design to the interior space.

The secluded design allows privacy, and the window on the right allows light and ventilation, which are all design features which elevates the space and allows for contemplation (Simo Design, 2019).

The interior contemplation space on the right is pared back in comparison to the design above. Designed by Morq Architecture (2017), the design retains the natural element which is peaceful, and calming.

This precedent study includes a large window which seemingly frames the view. In my own work, I intend to design a window which incorporates this idea, and showcases the outside environment as if it were in the pages of a magazine.

References

Image 1 – Simo Design (2019) Palermo. Available at: https://www.simodesign.com/palermo/ (Accessed: 24 October 2022).

Image 2 – Morq (2017) Altana. Available at: https://www.morq.it/projects/architecture/residential/altana/ (Accessed: 24 October 2022).

Contemplation to me is the concept of being able to reflect upon the events going on within your life, whether this be in a busy environment people watching, or somewhere more calming as the image above is. The image above displays a serene and beautiful environment, which is what I would personally chose when deciding on a location to reflect within.

Being on holiday is a relaxing time for myself, and I have found the most peaceful times whilst vacationing in Santorini. The colour palette of the island highlights simplistic white and blue whilst also incorporating striking bright pink within the bougainvillea. This palette is what makes the island so unique, and also is why the location is so relaxing, and perfect to contemplate within.

Continuing with the theme of wildlife, but bringing it into the home, this photograph emits an atmosphere that makes me want to sit down and read a magazine. It is exactly this cozy aesthetic which is what makes this space so beautifully designed. Often homes use quite natural colour palettes, as this is the current trend, but this image demonstrates the full effect that can be achieved within an interior when a colour palette is used to its potential.

Lastly, in keeping with home design, this image above showcases a greenhouse design perfect for using as a contemplation space. The use of greenery within this environment is very inviting, and is exactly what I think of when I imagine a contemplation space and what contemplation means to me. This is a environment away from the house, which is quiet and serene and perfect for personal reflection.

References

Image one – Krivec, A. (2018) I photographed daffodils on the slopes of Mt. Golica. Available from: https://www.boredpanda.com/i-photographed-daffodils-on-the-slopes-of-mt-golica/?utm_source=pinterest&utm_medium=social&utm_campaign=organic (Accessed: 24 October 2022).

Image two – Pinterest. (no date) Santorini. Available from: https://www.pinterest.dk/pin/AZGTHNkHHrAWTeNHZdfN8EySHqVZ4nSoTDEYRmQp-a9BUCLOcVDLRk4/ (Accessed: 24 October 2022).

Image three – Ro, L. (2017) Chef’s refurbished London flat is an eclectic mix of the old and new. Available from: https://archive.curbed.com/2017/5/8/15580364/chef-mark-hix-bermondsey-london-flat-apartment-design-decor (Accessed: 24 October 2022).

Image four – Pinterest. (no date) Greenhouse. Available from: https://www.pinterest.dk/pin/280771358010856050/ (Accessed: 24 October 2022).